Wheel

“Production designer Jack Beuttler sets a striking stage...”

- San Francisco Chronicle

“These visual elements are the sophisticated results of Jack Beuttler’s production design….This relationship allows the audience to feel the dance as much as watch it.”

- Culture Vulture

Global Moves

“Production Designer Jack Beuttler skillfully enriched the dance segments with a variety of images projected on the scenic wall.”

- Jen Norris Dance Reviews

ROMP

Top 10 Dance Moment of 2011
-San Francisco Chronicle

"ROMP's Jack Beuttler chose the square as a basic format. Both modulated the idea to support the choreography to excellent effect." 

- SF Bay Guardian

Les Vérités

"the dancers cut striking forms and silhouettes in the shadows."

- San Francisco Chronicle

Ocean

"...lit evocatively by Jack Beuttler and exciting from first moment to last."

- San Francisco Chronicle

Four Dialogues: A Solo

"... enhanced by Jack Beuttler’s evocative lighting." 

- San Francisco Chronicle

Ifigenia in Aulide

"…all set on fields of pale lavender or purple, to set the mood, amply assisted by Jack Beuttler’s lighting. "

- SF Classical Voice

Landless, AlterTheater

"Mood-heightening lighting by Jack Beuttler also is noteworthy, especially since the storefront windows are left undraped so passersby can sneak a peek."

- Marinscope

Ruddygore

"Lighting by Jack Beuttler is atmospheric..."

- Bay Area Reporter

Flyaway Productions

“…enhanced by Sean Riley’s set design
and Jack Beuttler’s dramatic lighting.”

- San Francisco Chronicle

Visually, the performance is stunning,

with colorful costumes and lighting…”

-BeyondChron

Splinters In Our Ankles

"The attractive lighting was the work of Jack Beuttler."

- San Francisco Chronicle

"I admired the skill and motor memory of the dancers as they roamed the beautifully lit stage…Excellent lighting and video was provided by Jack Beuttler"

- exploredance.com

PunkkiCo

"Jack Beuttler’s cool lighting help[s] throw figures into relief"

- San Francisco Chronicle

"Controle pulls no punches….a riveting Gesamtkunstwerk with art by Alice Malia, sound by Aaron M. Gold and light by Jack Beuttler."

- San Francisco Examiner